SMART ART was not necessarily born from one
man's head, but Ethan Azarian at least coined the name and made sure its
founding members were on time to their weekly meetings (Thursdays,
12:30, Jo's Coffee). Rather, the group was born out of necessity
for today's working artist.
SMART ART is a loose collection of artists who meet regularly, mostly in
coffeeshops, to paint, draw, talk and exchange ideas and opportunities.
It is the idea that a collective effort, bringing together various
energies and talents, creates a more effective and valuable arts
community in Austin.
It was in the middle of 2002 when Chris Chappell and Michael Schliefke
started thinking about putting together shows of painters that were
doing quality work. The idea that a bunch of artists pooling
resources and work could produce big results came to fruition with their
'Shoulda
Been a Plumber' show in October of 2003.
Ethan, who was one of the hand picked painters, fed off the energy of
this event and decided to take his In-House Gallery concept that he has
fostered for half a decade and bring that same sense of a group effort
to it. With Heather Jarry and matching t-shirts added to the mix,
the SMART ART group officially launched in October with regular
brainstorming/work meetings at Jo's Coffee on South Congress.
The four artists are hosting a group show at Michael's house on December
18th, and are always looking for more artists to help nurture and
develop the artistic community in Austin.
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SMART ART MANIFESTO
The concept of SMART ART is simple. Create a buzz, manufacture a
scene in which artists come together to support and inspire each other.
Artists are not only responsible for creating art, they're responsible
for stimulating each other and the community in which they live.
Responsible for inspiring the consumer to consume. Thus creating a
full circle which sustains a healthy and vibrant art scene.
SMART ART -
is creating a scene.
SMART ART -
is taking the initiative.
SMART ART -
is interactive.
SMART ART -
is resourceful.
Written by Ethan Azarian, 2003 |
